600MT

for Aqueous Inks

Thick, textured fine art paper that won't break the bank

  • * Great for fine art reproduction in the consumer and décor markets
  • * Perfect for signage, backdrops, and murals
  • * Never run out of paper with our extremely reliable and consistent manufacturer-direct model
  • * Bright white color lends itself great for high-contrast and black and white images
  • * "Cold pressed" textured surface
  • * Matte finish  |  17 mil thickness  |  300 gsm weight

*Compatible with most Epson, Canon, and HP printer models!

DESCRIPTION

300gsm rag-based textured bright white cold press watercolor paper

This 300g, bright white, cotton rag-based water-resistant textured matte paper is acid free and lignin free. It is a 50% cotton blend and was specifically developed to be a lower cost alternative to 100% cotton rag fine art papers. It delivers remarkable print quality characteristic of all Breathing Color products. 600MT has a luxurious cold-pressed textured surface designed to maximize resistance to scuffing and flaking.

GET A TRIAL ROLL

If you are new to Breathing Color and would like to test this product, we highly recommend that you take advantage of the inexpensive Trial rolls offered.Trial rolls are priced at cost, and at times below our cost in order to encourage our customers to try our award-winning products for a minimal investment. Trial rolls provide enough product so that our customers can sufficiently run tests and create samples. CUSTOMERS MAY ONLY PURCHASE ONE TRIAL ROLL OF EACH PRODUCT.

Other Product Information

If you are new to Breathing Color and would like to test this product, we highly recommend that you take advantage of the inexpensive Trial rolls offered. Trial rolls are priced at cost, and at times below our cost in order to encourage our customers to try our award-winning products for a minimal investment. Trial rolls provide enough product so that our customers can sufficiently run tests and create samples. CUSTOMERS MAY ONLY PURCHASE ONE TRIAL ROLL OF EACH PRODUCT.

Compatible Inkjet Printers

This Product has been compatibility tested and approved for the following printers. If you do not see your printer listed below, it does not mean it is not compatible but that we have not tested and approved your printer at this time. Our aqueous media is compatible with most pigment and dye-based ink systems.

Canon

Professional Photo: Pixma Pro-1, Pixma Pro-10, Pixma Pro-100, Pixma Pro9500, Pixma Pro9500 Mark II

Large Format: iPF5000, iPF5100, iPF6000S, iPF6100, iPF6200, iPF6300, iPF6300S, iPF6350, iPF6400, iPF6450, iPF8000, iPF8000S, iPF8300, iPF8300S, iPF8400, iPF9000, iPF9100, iPF9400, iPF9400S, W6400, i990

Epson

Stylus Photo Series: R1800, R1900, R2000, R2400, R2880, R3000

Stylus Pro Series: 3800, 3880, 3890, 4000, 4800, 4880, 4900, 7500, 7600, 7700, 7800, 7880, 7890, 7900, 9500, 9600, 9700, 9800, 9880, 9890, 9900, 10000, 10600, 11880, WT7900

Surecolor: T3000, T5000, T7000

Roland

Hi-Fi Jet Pro & Pro II Series Printers, VersaArt RA-640

HP

DesignJet: 1055CM +, Z2100, Z3100, Z3200, Z3200ps, 5000, Z5200, 5500, Z6100, Z6200

Photosmart Pro: 8750, B9180

Mimaki

JV-4, JV2-130, JV22-160

Mutoh

RJ46, RJ50, RJ62, RJ64, RJ900, ValueJet 1304W, ValueJet1604AW, ValueJet1638W

Durst

All Durst printers using aqueous pigment or dye-based ink

Downloads - Spec Sheet & Archival Quality Certificate 

inkjet fine art paper data sheet       

The best way to protect coated prints when stacking or sending out to ship would be to wrap the print in Glassine paper.  You do not want to separate your prints with paper that contains acid in it.  If acid comes into contact with your print it may cause the print to turn yellow.  You can find many different types of Glassine papers online, or at your nearest art supply store.  The main thing to keep in mind when looking for this type of paper is to make sure the paper has a neutral pH level, or acid free.

If you are selling fine art gicle prints your quality driven customers will demand using an acid-free pH-neutral archival inkjet fine art paper. Museums and fine artists with rigid standards will require this class of fine art paper. So if you are looking for a wide format media you can trust, Breathing Color fine art papers have become the most popular solution for fine art printmakers and publishers worldwide. For example, Breathing Color's Elegance Velvet Fine Art Paper, Elegance Textured Fine Art Paper, and Sterling 280g Smooth Fine Art Paper, are available in both sheets and rolls.

There are several good reasons to use the fine art papers available from Breathing Color. First and foremost, your business requires nothing less than the best quality paper available so that your customers are guaranteed to maximize potential color gamut and dmax. Second, by buying direct from a fine art paper manufacturer, you can eliminate middleman distributors and save money in the process.

Cheap papers are suitable for normal printing for pictures to share with friends and family, and also have their use for proofing pictures you intend to print for sale or display on more expensive materials.

Choosing a Surface of a Fine Art Inkjet Paper

You may not like the particular inkjet fine art paper surfaces that you have tried thus far, which could have been the papers you received with your Epson printer. Although the range provided by, for example Epson, is large enough to be confusing, the fine art papers included in it actually only cover a fairly small range of what is available. Using fine art papers from a "third party manufacturer" gives you a much wider choice, including many different smooth and textured inkjet papers and shinier gloss finishes as well as some unusual materials including some non-paper surfaces including fabric such as an inkjet printable silk as well as signage and inkjet banner products such as adhesive vinyl. All of these fine art inkjet papers are available at much more competitive prices and are, in many cases, superior in performance.

Choosing a Weight of a Fine Art Inkjet Paper

The traditional measurement of fine art paper thickness is given in grams per square meter (gsm). Normal typing paper is around 80 gsm, and typical inkjet fine art papers may range from 120-310 gsm. More expensive fine-art papers are usually on or over 300gsm, while the lesser expensive ones are on or below 210gsm. Heavier fine art papers can cause problems with the paper feed in some printers. Small-format models that have a significantly curved path for the paper through the machine are particularly unlikely to be able to use such heavyweight papers. However, despite what the printer manual says, usually double the maximum weight specified with some printers will print fine art without problems.

Archival Qualities of Inkjet Fine Art Paper

Three factors - paper, ink and paper coating - interact to determine print lifetimes, as well as the environmental factors including storage and display conditions. Good fine art papers are likely to lead to longer lifetimes, and as with most other media, this generally means acid-free materials.

Cheaper fine art paper generally will not last well, breaking down over time to give acidic materials that will attack the image. Acid-free papers usually perform better.

The best fine art papers are generally made from 100% cotton rag rather than wood pulp, and these tend to be expensive - at least a dollar for a sheet.

Inkjet Fine Art Paper Confusing Issues

There are actually relatively few manufacturers of high quality papers. The distributors sell many papers made by some manufacturers under different brand names, which makes for some confusion. Claims by some of these re-branders that they specify different coatings for the paper they sell often - if not always - appear to be untrue. The aim of this re-branding is to lock the user into using paper supplied by them, when the same material (but under a different name) may be available more cheaply elsewhere. Breathing Color does not participate in such a strategy and our customers appreciate the exlcusivity and uniqueness of our product line.

Glossy Inkjet Fine Art Papers

Gloss papers are generally made for non-archival use. They range from highly reflective plastic films to materials with a relatively low gloss, that are almost closer to a pearl or lustre finish.

Pigment printers seldom produce good results on gloss surfaces, often giving very slow drying and patchy results.

Matte Black (MK) ink is designed for Matte Papers and Photo Black (PK) ink is designed for glossy papers. The difference between these two black ink types is simple; MK prints a very dull, flat black, while PK prints a highly glossy, shiny black. Think in terms of flat black spray paint vs. glossy black spray paint. Generally speaking, the very best results and the deepest blacks for that particular substrate will be achieved by using PK with glossy substrates and MK with matte substrates. Your Epson printer manual will also provide you with a decent explanation of when they recommend using matte black ink or photo black ink. 

That being said, wide-format Epson printers present a problem for those who wish to maximize their output potential by offering both matte and glossy papers as available substrate options. This is because Epson machines are built to run either the PK or the MK, rather than allowing the printmaker to switch blacks from print to print. As a result of this quandary, those who own wide-format Epson printers must make an important decision What type of prints do I want to be best at? In other words, if 80% of your printmaking business is fine art on matte papers and matte canvases, naturally you will want to run your Epson with MK, which will render the highest black density on your primary substrate line. Likewise, if you are a photo lab for example and mostly reproduce photography on glossy papers, the PK is the more intelligent choice as it will render the glossiest black, which is most desirable on glossy substrates (to avoid a gloss differential). 

Traditionally, most all inkjet printable substrates, matte or glossy, will work with the PK ink. Though the maximum black density (DMAX) would be significantly less, the print is otherwise unaffected. This is not true of the MK ink. When most glossy or semi-glossy papers are introduced to the MK ink, the ink will run and bleed, rendering the print completely unusable. 


For testing and evaluation, we offer short trial rolls of all of our inkjet canvas, inkjet fine art paper, inkjet decor paper, and inkjet signage products that are sold at cost. Typically, trial rolls are 17"x10 feet. The purpose for this is to allow our customers to conduct a comprehensive evaluation of our products, cost effectively. There are several steps that should be taken when testing any new digital substrate for your printing business.

1. The substrate should be tested with several different images to be sure the product performs well with everything image-type that you intend to use it for (try a portrait photograph, a vibrant fine art print, a black & white piece, etc.). Make sure you are selecting images that are fairly different from one another with respect to color and tonal gradation for a thorough evaluation.

2. Show a few of your most important customers a print of their own work on the media you are testing. Maybe provide an example of your current media to illustrate a comparison. Explain the physical and archival attributes of the new substrate and the reasons that you are considering a switch. It is the printmakers job to educate their artists about all things printing-related, especially media.

3. Trial rolls provide enough media to create custom profiles, for those who are capable. Breathing Color also offers a free custom profile service, which requires approximately two square feet of printed media.

4. It is important to have enough media to leave a margin for error in case the first attempt had not been printed correctly (print settings, profile, platen gap, etc.).

5. For inkjet canvas: coating, stretching, and hand embellishment should also be tested.

In addition to trial rolls, Breathing Color offers a complimentary sample pack, which includes printed samples of all available fine art products, with any order (limit one per customer). These sample packs can be purchased separately for $19.95.

While we do not offer any free, small sample strips of paper, we do offer trial rolls (which measure 17 x 10) at our cost for many of our canvas, fine art, and photo papers. These trial rolls can be found and purchased at the bottom of any product page. We also carry the Breathing Color Sample Pack which includes two unprinted letter-sized sheets of six of our most popular fine art papers. We offer samples this way to allow everyone to fully test and evaluate their own prints on Breathing Color media.

There are a few different things that can cause banding. Most commonly, you will see banding occur when there is a clogged nozzle or something else hardware related. Please follow the steps below to help identify the issue:

  1. Ensure that your printer can handle the thickness of the media you are attempting to print on. In your printer's user manual, or by calling the manufacture, you can find the maximum weight that your printer will accept; make sure that the media doesn't exceed this maximum specification.
  2. See our blog about doing a nozzle check and other maintainance on your printer.
  3. If the nozzle check results look fine, proceed to check your platen gap settings and making sure other print settings are correct.

Edge curl is something that most users have learned to deal with, but there are ways to remove it.  We have found an easy and affordable method for flattening your prints. The best part is you can use supplies you already have in your print shop! Here are the supplies youll need:

  1. An empty 3" core (save the core from your last roll of fine art paper)
  2. 2 sheets of foam packing material
  3. Tape

Read more about how to remove this type edge curl here on our blog, The Art of Printmaking.

Cleaning fine art prints that are coated with our Timeless or Glamour 2 varnish is quite easy. Simply use a damp cloth to gently wipe the surface of the coated print to remove dust or dirt. Read more about cleaning your coated fine art prints here on our blog, The Art of Printmaking.

When printing on canvas or fine art paper, it is critical that the prints be allowed to dry and outgass fully before they are mounted, stretched, and/or framed. Typically this takes 24 hours. Finishing these prints prematurely can cause a whole host of problems from splotchy glass when framing, to pin holes and bubbles while coating in preparation for stretching. Read more about dry time and outgassing on our blog.

To prevent the transfer of oils and dirt from your hands to the inkjet receptive coating of the media, white cotton gloves should be worn when handling the media. When not using the media, you should store it in its original packaging, exactly how it was shipped to you. Read more about our recommended handling and storage best practices on our blog, The Art of Printmaking.

  Retail$250+$1000+ Qty
600MT Matte - 17"x10' $2000 - -
600MT Matte - 17"x50' $6304 $5232 $4621
600MT Matte - 24"x66' $11748 $9751 $8611
600MT Matte - 36"x50' $13350 $11081 $9786
600MT Matte - 44"x50' $16316 $13542 $11960
600MT Matte - 50"x50' $18541 $15389 $13591
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