Carnie Littlefield shares his experience on embellishing Quartz laminated aqueous metal prints with acrylic, oil, and oil-based sharpies.
How to use Select and Mask in Photoshop – learn about the different tools within Select and Mask and how to place an object into a new background.
This week, we compare profiling productivity between aqueous metal prints and dye sublimation metal prints.
Chromaluxe metal: it used to be the only dye sublimation aluminum in town, but not anymore. Breathing Color’s Allure Dye Sub Metal gives you the first viable alternative to Chromaluxe, and it’s already taking the industry by storm.
Fine art photographer and printmaker Bruce Shortz shares his metal printing workflow with the Fletcher FSC Substrate Cutter on Breathing Color’s Allure Photo Panels.
Mixed media artist Carnie Littlefield shares his experience on embellishing his prints with Breathing Color’s Allure Photo Panels.
We take a close look at the white points of aqueous metal prints and dye sublimation metal prints and declare a winner.
Printmaker and photographer Rick Rosenzweig shares his metal printing workflow with Breathing Color’s Allure Photo Panels.
Quick answers to a variety of printmaking FAQs covering Breathing Color media, printer issues, shipping recommendations, and print varnish.
Learn about different output media types to offer a variety of media as a way to expand your portrait photography business.