Allure Dye Sub Aluminum

for Dye Sublimation Inks

Dye Sublimation Aluminum Photo Panels

  • * Designed for use with dye sublimation inks and heat transfer process
  • * Manufacturer direct. Made in the USA
  • * Expert technical support.
  • * High quality ICC profiles available upon request for certain configurations (see list)
  • * For best results use Allure Transfer Paper
  • * Use a DRS roller to clean prints before transfer.
  • Buy Ready-to-Hang Frame Kits and start selling in no time!
  • * 0.045 in / 1.14 mm thickness


Allure Photo Panels for dye sublimation inks are available in a wide range of sizes from 8"x10" to 4 feet by 8 feet, with even smaller sizes coming soon. Cut sheets are routed with a smooth, clean edge and rounded corners to make handling safe and easy. All sheets are also covered with a low-tack release liner which helps prevent damage during transit and handling, and also helps protect the coating from UV exposure.

Currently, Allure for dye sublimation is available in a high gloss, white finish. Soon, we will release satin, matte, clear/brushed, and other exciting finishes.

Allure for dye sublimation is the perfect solution for photos, art, high-quality signage, and basically any other type of images that require rich color, high print quality and amazing depth.



Keep sheets of Allure packaged in the way they arrived to you, inside the box or crate, and closed. Store them flat and not on their edge in order to avoid warping or bowing.

We sell both Allure Fine Art (aqueous) and Allure Dye Sublimation metal panels in pre-cut sizes. If you are looking to save money per sq.ft., or to achieve custom-sized cuts on a regular basis, you can also trim the metal down yourself.

To do this, it is very common to use a metal shear, which is designed to cut thin aluminum. These come in a wide variety in terms of width, manual or hydraulic operation, foot or hand-driven, various features, etc. 

Many customers will opt for a shear that is at least 50"-wide, which will accommodate half-size (4ft x 4ft) sheets. A manually operated shear at this width will cost you approximately $1,500 and will go up as you add sizes and features.

Another option is to use a CNC router. This is common for the higher-volume labs and studios. These come in just as large of an array of sizes and options. Prices will start at approximately $20,000 and go up from there.

When removing the protective release liner from the blank panels, make sure to not use anything sharp or hard that could damage the coated surface, especially on the edges.

After pressing, allow the metal panel to cool off completely before removing the transfer paper. The receptive coating on the metal can be more sensitive when it's still hot.

Handle the hot metal panel as little as possible. If you must move it, be extra careful especially around the edges when it lifting up and putting it down.

You can save a panel that has edge chipping by shearing a small portion of the edge off, if you have an aluminum shear. You can also use 240 grit sand paper to sand the edge(s) until smooth. This will clear up the chipping and prevent it from happening further in the future.

This is commonly referred to as "ghosting." This is usually caused by the transfer paper moving during or shortly after pressing while the aluminum is still hot and ink continues to sublimate or transfer into the metal's coating. Here are the easiest ways to prevent ghosting:

  • Make sure transfer paper is being attached with heat-resistant tape on all edges.
  • Make sure to minimize post-press movement of the prints as much as possible. The more the prints are moved, the more likely the transfer paper is to shift on the metals surface when hot.
  • When removing the transfer paper from the metal, be sure it does not slide along the surface of the metal. Remove the tape from three sides of the metal and lift off the paper in one seamless motion. For large prints, you may need to use two people--one on each side.

Small surface imperfections are normal to a certain extent, due to the nature of the base metal. We do our best to cover these up during the coating process, but it is not always possible, and there is an allowable number of specks allowed per sheet, depending on the sheet size. We can better control pre-cut sheets, cutting around any imperfections as we go, so full and half-size sheets will likely have the most surface imperfections (this is one reason why the price per foot is lower). 

Often, these small imperfections will not significantly affect the final print. Many customers who offer metal prints send along a small card that educates their customers on what to expect when purchasing prints on metal.

To prevent the transfer of oils and dirt from your hands to the inkjet receptive coating of the media, white cotton gloves should be worn when handling the media. When not using the media, you should store it in its original packaging, exactly how it was shipped to you. Read more about our recommended handling and storage best practices on our blog, The Art of Printmaking.

  Retail Qty
Allure Dye Sub Metal - White Gloss, Sample Pack (1x printed sample, 2x unprinted 11"x14" sheets) $4999 Out
Allure Dye Sub Metal - White Gloss, 8"x10", 5 pack $2778 Out
Allure Dye Sub Metal - White Gloss, 8"x12", 5 pack $3333 Out
Allure Dye Sub Metal - White Gloss, 11"x14", 5 pack $5347 Out
Allure Dye Sub Metal - White Gloss, 12"x18", 5 pack $7500 Out
Allure Dye Sub Metal - White Gloss, 16"x20", 5 pack $11111 Out
Allure Dye Sub Metal - White Gloss, 20"x30", 5 pack $20833 Out
Allure Dye Sub Metal - White Gloss, 4'x4' $8750 In stock, please call
Allure Dye Sub Metal - White Gloss, 4'x8' $17500 In stock, please call